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Finishing

Finishing and framing kinusaiga

The last tuck is not the last step. How you finish the outer edge, and whether you frame it, decides whether your kinusaiga looks like a craft project or a finished piece of art. Here are the three edge finishes, which frame to buy for each board size, and how to hang a piece without a frame.

Updated October 28, 2026

Finishing the edges

Inside the picture every fabric edge disappears into a groove. On the outer border there is no neighbour to share a groove with, so the fabric needs somewhere to go. Decide this before you score, because option 1 needs an extra groove.

groove 1/4 in in1. Frame grooveover the edge2. Wrapped edgeglued at the backribbon3. Ribbon borderglued round the sides
The three edge finishes in cross-section: the board's outer edge is on the right of each drawing.

1. A frame groove (the cleanest)

Score a groove all round the board, about 1/4 in (6 mm) in from the edge, with a ruler. Every piece that touches the border is tucked into that groove, so the picture ends on a crisp line, like a mount. The narrow strip outside it is then covered with one fabric (a dark solid works well) tucked into the same groove and wrapped round the sides, or left bare if the piece goes into a frame that hides it.

Many patterns already include this frame line. If yours doesn't, add it: it is the single easiest way to make a piece look finished.

2. Wrapping the sides

Cut the border pieces with an extra margin equal to the board's thickness plus about 1/2 in. Bring the fabric over the edge, down the side and onto the back, and glue it there. This gives a gallery-wrapped look, like a stretched canvas, with the picture continuing round the sides.

  • Fold the corners like a gift wrap: one side flat, the other folded in a neat 45° pleat.
  • Use white craft glue (tacky glue) or a low-temperature glue gun on the back. Many spray adhesives and solvent glues dissolve polystyrene foam: test on an offcut first.
  • Cover the back with a square of felt or card afterwards to hide the raw edges.

3. A ribbon or bias border

Tuck or wrap the outer fabrics roughly, then glue a ribbon, bias tape or braid round the sides of the board so it covers the edge. Choose a width equal to the board's thickness: 1/2 in ribbon for a 1/2 in board, 1 in ribbon for a 1 in board. Start and finish at the bottom, overlapping the ends by 1/2 in. This is the fastest finish and the one that hides the most, so it is popular for gifts and for ornaments.

Check the corners last

Whatever the finish, look at the four corners from the side before you frame or hang. A corner that lifts can be fixed with a tiny dot of glue under the fabric and a minute of pressure.

Frame it or not?

Both are fine. Unframed, a kinusaiga looks like a small fabric canvas and shows off its padded texture from the side. Framed, it is protected from dust, curious fingers and pets, and it looks at home next to paintings and prints.

  • Frame it if it will hang in a kitchen, a hallway or a home with cats, if it is a gift, or if the edges are not your best work.
  • Leave it unframed if you wrapped the edges neatly, if it hangs somewhere calm, or if you want to make a grid of small pieces.

Which frame for which board

A kinusaiga board is thick: usually 1/2 to 1 in of foam plus the fabric. An ordinary picture frame is made for paper and has only about a quarter of an inch of space behind the glass. So, whatever the size, you need a shadow box or a deep frame, and you should measure the inside depth before buying: it must be at least the thickness of your board, plus the depth of any spacers.

BoardEdge to edgeWith a mat
5 x 5 in5x5 in frame8x8 in frame with a mat (opening about 4 1/2 in)
6 x 6 in6x6 in frame10x10 in frame with a mat (opening about 5 1/2 in)
8 x 8 in8x8 in frame12x12 in frame with a mat (opening about 7 1/2 in)
8 x 10 in8x10 in frame11x14 in frame with an 8x10 mat (opening about 7 1/2 x 9 1/2 in)

Mat openings are cut a little smaller than the artwork (usually 1/4 in less in each direction) so the mat overlaps the edge and hides it. That makes a mat a good friend of a wobbly border, and a reason to consider a frame groove (option 1 above) placed where the mat will cover it.

Budget deep frames. Square shadow boxes in 8x8, 10x10 and 12x12 in are easy to find at craft stores. IKEA's SANNAHED is a popular cheap choice: a deep 25x25 cm frame (about 9 3/4 in) whose mat has a 12 cm (4 3/4 in) opening, which suits a 5 in board nicely. Without the mat, it can hold a larger board floated on a backing card.

Floating looks great

Instead of filling the frame edge to edge, glue a finished board (with wrapped edges) onto a piece of linen-covered card or a plain mat board, centred, and put the whole thing in a bigger shadow box. The kinusaiga seems to float, and any board size fits any frame.

Glass, spacers and shadow boxes

The texture is what makes kinusaiga special: every fabric gently domed, every line recessed. Glass pressed directly on the fabric flattens it, and the piece ends up looking like a photograph of itself. Three good options:

  1. A shadow box: the glass sits at the front, with a gap of 1/4 in or more before the fabric.
  2. A deep frame with spacers: thin plastic or wooden strips stuck along the inside edges of the frame keep the glass off the fabric. Frame shops sell them, or use strips of foam board.
  3. No glass at all: take the glass out of the frame. Indoors, away from the kitchen, this is fine, and the texture can be seen and touched.
glassspacerfabricfoam boardbacking
A shadow box keeps the glass off the fabric, so the texture stays domed.

Many inexpensive frames, IKEA's included, come with acrylic (plastic) instead of glass. It is lighter and safer for posting a gift, but it scratches and attracts dust; wipe it only with a soft, slightly damp cloth.

Hanging without a frame

Foam is very light: an 8x8 in board with its fabric weighs only an ounce or two. That makes hanging easy, as long as you never attach anything straight to the bare foam: a nail or screw will simply tear out, and adhesive strips pull off the surface of the foam when you remove them.

First, glue a square of mat board, cereal-box card or thin hardboard to the back with white craft glue, slightly smaller than the board, and let it dry flat under a book. Then add one of these to the card:

  • A self-adhesive sawtooth hanger, centred near the top. Simple and neat for one piece on a nail.
  • A ribbon loop: glue both ends of a ribbon to the back and cover them with a felt square. Pretty for a gift or a small piece on a hook, and the natural choice for ornaments.
  • Removable picture-hanging strips (the hook-and-loop kind): ideal for rented walls and for grids of several small pieces that must line up.

For a shelf or a desk, a small easel or a plate stand works perfectly and needs no hardware at all.

Protecting it from dust and sun

  • Keep it out of direct sunlight. Cotton and especially silk fade with time in sun. A wall that never gets direct light keeps colours bright for years; if a sunny spot is the only option, a frame with UV-filtering glass or acrylic helps.
  • Avoid heat. Don't hang it above a radiator or a stove, and don't leave it in a hot car: polystyrene foam can soften and warp.
  • Avoid the kitchen unless it is behind glass: cooking grease settles on fabric and is very hard to remove.
  • Dust it lightly every few months with a soft brush, or roll a lint roller over it without pressing.
  • If a tuck pops out, push it back with your tool. A piece that is never framed can be repaired forever.

Giving it as a gift

A framed or neatly finished kinusaiga is one of the nicest handmade gifts there is. A few touches make it feel special:

  • Sign and date the back, and add the name of the design. In a few years, someone will be glad you did.
  • Put the hanger on before you wrap it, so it can go on the wall the same day.
  • Protect the front with a sheet of tissue paper and a piece of card before wrapping, especially if it is unframed: a parcel corner can push in a tuck.
  • For Christmas, small 5x5 in pieces and ornaments make perfect stocking fillers. Browse the Christmas patterns, all free to print.

Still at the tucking stage? The step-by-step guide covers everything from printing the pattern to the last groove.

Frequently asked questions

Do you have to frame kinusaiga?+

No. A piece with a finished edge (wrapped, or tucked into a border groove) can hang as it is, like a small canvas. A frame adds protection from dust and knocks, and it hides an edge you are not happy with.

What size frame do I need for an 8x8 kinusaiga?+

An 8x8 in frame if you want the board edge to edge, or a 12x12 in frame with a mat cut for 8x8 (opening about 7 1/2 in) for a gallery look. Either way it must be deep enough for your board: use a shadow box or deep frame.

Should kinusaiga be framed behind glass?+

Only with space between the glass and the fabric. Glass pressed on the fabric flattens the texture that makes kinusaiga beautiful. A shadow box with spacers keeps the glass off it; no glass at all is also fine indoors.

How do I hang a foam board without a frame?+

Glue a piece of mat board or thin card to the back with white craft glue, then attach a self-adhesive sawtooth hanger, a ribbon loop or removable picture-hanging strips to that card, never to the bare foam.

How do I clean a finished kinusaiga?+

Dust it gently with a soft clean brush or a lint roller rolled lightly over the fabric. Don't wet it: water can mark silk and loosen tucks. A frame with glass is the easiest way to keep it clean.

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